Originally from Springfield, Massachusetts, Molly Bogin’s work has reached audiences across the United States. A musical nomad until settling in Los Angeles, her style is both intriguing and distinctive, shaped by her background in folk, gospel, and theater. Drawing inspiration from icons like Norah Jones, Bonnie Raitt, and Julia Jacklin, Molly is now presenting what may be her most significant work yet.
Her latest EP, “Attachment Cycle,” is a stunning collection of seven songs. It was born from the lived experiences of Molly and producer Will Saulsky, partners in the creation of this project, though separated during Molly’s year in Brooklyn. While the EP’s storyline is only loosely based on their relationship, the emotional depth behind the music is authentic and palpable, guiding the overall tone of the record. In addition to Molly and Will, the project features contributions from talented friends and musicians Johnnie Gilmore and Jimmy Kraft.
The EP opens with “Still Looking for You,” a gentle introduction that feels almost lullaby-like. With its delicate instrumentation and soft melody, it’s a lovely and inviting start. Following that is “Bad Party Guest,” where an acoustic guitar takes center stage, and Molly’s soothing voice creates a laid-back atmosphere that pulls listeners further into her world.
Next up is “When the Neon Fades,” a soulful and captivating track. With jazzy undertones and a standout saxophone performance, it truly shines. Lyrics like “I get sad in the nighttime/When the dark sets in, my hands feel phantom holding” bring a powerful emotional punch, making this song particularly memorable. It has shades of Amy Winehouse in its delivery and depth.
“3am” follows, offering a unique twist by weaving in what sounds like a phone call alongside Molly’s vocals. The track’s melancholic melody hints at a sense of absence or longing, resulting in a poignant and deeply moving piece.
“Let Me Go” ventures into indie pop territory while maintaining Molly’s signature jazzy, soulful edge. It’s another emotionally charged song that leaves an impression. Just when you might wonder when the folk influence will reappear, “I Want You to Be Sad” delivers a slow, danceable ballad.
Finally, “Dancing in the Rain” brings the EP to a perfect close. Another soulful, jazz-infused track, it blends smooth bass with tender lyrics, encapsulating the essence of Molly’s musical evolution. It’s a strong, satisfying conclusion that ties together the diverse elements of her sound.
“Attachment Cycle” is a compelling and beautifully crafted release from Molly Bogin. She’s the kind of artist worth discovering. Her music is magnetic, soothing, and deeply human. In a world that often feels chaotic and overwhelming, her sound is exactly the kind of comfort we need.
photos / Nikki Neumann
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