story + photos / Michaela Calotta
Many a Brooklynite hiked through the snow and rain to  travel to the fashion presentation held by Timothy K. at the Gowanus  Ballroom. Upon arrival, guests wandered around a (shady) brick  warehouse and ventured into the Ballroom, greeted at first by an amazing  array of metalworks featuring a Shakesperian metallic arm grasping a  skull and a massive insect clinging magically to a wall. More  interesting than the metalwork, however, were the other guests of the  show. A lady with pink hair, a former Playboy model, trendsetters,  fashion designers, and creative types of all kinds mingled and eyed each  other from afar.
Starting ever so fashionably late, guests ascended the stairs to  the top floor where interns groggily stood around, clutching none other  than a Brooklyn Brew. Circles formed around all of Timothy’s creations,  where attendees stared at the models who made slight, eerie movements.  The pieces they wore were part architecture, part sculpture, a little  bit fashion, and a lot of drama. The first piece of the show was a  graphic creation, reminiscent of Roberto Cappuci’s geometric gowns. It  featured a pyramid-like structured skirt with a reverse-pyramid bodice.  Each leg of the pyramid ascended at an exaggerated angle, creating  theatrics within his stagnant piece.
Timothy’s second piece was more of a traditional gown. He used  brown silk and lame to manipulated a net-like texture on sheer and  opaque. The piece had the same geometric feel as the first due to the  pleating on the back, and the models makeup mocked the texture on the  dress.
The most popular piece seemed to be the teardrop-shaped  covering on one of the models in the back. She stood with one of her  breasts half exposed, a black streak running down the side of her face.  The dress balanced on her, exposing her shoulder and much of her torso.  It was hand painted white silk gazar with dramatic black sweeps of  paint.
The models stood atop platforms in a stark atmosphere created  by Timothy himself: blood red and black drapery hung in the center and  haunting music played in the background. The  presentation sure wasn’t a traditional fashion show. The models were  still, yet his pieces moved and spoke for themselves.
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